Mies BRNO Chair

$655.00$795.00

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Mies BRNO Chair

$655.00$795.00

-47%
  • Top Grain-Black
  • Top Grain-White
  • Top Grain-Cream
  • Top Grain-Dark Brown
  • Top Grain-Tan
  • Top Grain-Red
  • Aniline-Black
  • Aniline-White
  • Aniline-Cream
  • Aniline-Dark Brown
  • Aniline-Beige
  • Aniline-Camel
  • Vintage-Brown
Clear
SKU: DC012-MIES Category: Tags: , ,
  • Shipping within 5-7 days for our bestsellers category
  • We offer free shipping for orders over $1000
  • We offer 5-year warranty coverage on our products
  • No-hassle returns accepted within 15 days of delivery
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The Mies van der Rohe designed BRNO Dining Chair or simply Mies Dining Chair was designed in 1930. The BRNO Dining Chair features an ingenious and sleek single piece cantilvered design, a perfect blend of art and function. The BRNO Dining Chair is very popular as a dining chair, boardroom chair, or waiting room chair.

Material & Feature:

  • Frame structure: highly polished #304 grade stainless steel frame with chrome finish; silver welded joints
  • Seat: hardwood frame with highly resilient urethane foam
  • Fabric, Top Grain/Aniline Leather upholstery (C.O.M available)
  • All materials are fire-retardant & non-toxic (Baby friendly)

Dimensions:

  • Width: 23" x Depth: 22.5" x Height: 32"
  • Seat Height: 17.5"
Mies-BRNO-Chair

* All measurements are approximations.

Ludwig Mies van der Rohe (born Maria Ludwig Michael Mies; March 27, 1886 - August 17, 1969) was a German-American architect. He is commonly referred to and was addressed as Mies, his surname. Along with Le Corbusier and Frank Lloyd Wright, he is widely regarded as one of the pioneering masters of modern architecture.

Mies, like many of his post-World War I contemporaries, sought to establish a new architectural style that could represent modern times just as Classical and Gothic did for their own eras. He created an influential twentieth-century architectural style, stated with extreme clarity and simplicity. His mature buildings made use of modern materials such as industrial steel and plate glass to define interior spaces. He strove toward an architecture with a minimal framework of structural order balanced against the implied freedom of free-flowing open space. He called his buildings "skin and bones" architecture. He sought a rational approach that would guide the creative process of architectural design, but he was always concerned with expressing the spirit of the modern era. He is often associated with his quotation of the aphorisms, "less is more" and "God is in the details".

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